This video shows Clinton Wayne's work on the film "Fireflies In The Garden". He applied gelatin nasalabial folds and aging stipple to give Julia the look of a 55 year old woman.

This video features work by Clinton Wayne on the film "Click". Clinton applied prosthetic makeup on actress Kate Beckinsale. The make-up consisted of gelatin nasalabial folds and aging stipple. Cinovation studios designed and created the prosthetics.

This video features the work of Clinton Wayne on the film "Seraphim Falls". He had several make-ups in this film showing various deaths. One of the make-ups featured cosseted of a gelatin bullet wound appliance that had a protective under piece to it so Pierce Brosnan could take an actual red hot knife and really burn the gelatin to get a great burning skin effect. Christina Smith applied the knife in throat effect.

This video shows our work on the film "I Still Know What You Did Last Summer". Clinton Wayne was the make-up effects artist on this show.

This video shows the work of Clinton Wayne. Clinton hand laid hair on actor John C. Reilly to give him a hairy chest. He also glued a bunch of hair at his midsection to give the transition to the horse.

This video shows our work on the film "The House Bunny". Clinton Wayne applied the foam latex 9 month pregnant belly to actress Katherine McPhee. Clinton also applied the foam latex chest to give the cat in the scene something he can sink his claws in to and not hurt the actor.

This video shows our work on the film "Skins". The make-ups were applied by Clinton Wayne. Clinton also served as Dept. Head Make-Up & Hair for the film. The make-up consisted of a foam latex facial appliance. The other effects were done out of kit.

This video features the work of Clinton Wayne and Jamie Kelman on the film "Tears Of The Sun". We had various injury simulations. The clip also features a woman with her breasts cut off. This was a foam latex appliance.

This video shows our work on the film "Deep Blue Sea". We made lifelike fake silicone bodies for the sharks to attack. Also, Matthew Mungle and Clinton Wayne applied a fake arm to actor Stellan Skarsgard for when a shark bites his arm off. The arm was rigged with tubes and pumping blood to complete the effect.

This video features the work of Clinton Wayne for the film "The Eye". The make-up was done by using a gelatin facial appliance to simulate the burn scar.

This video shows our work on the film "Road To Redemption". Clinton Wayne was the Dept. Head Make-Up and Hair on this film.

This video shows our work on the film "Bowfinger". We made several effects for the film, but one of the trickier effects was of an actor who had ooze seeping out of his face and his arm falling off on cue. Make-up done by Matthew Mungle and Clinton Wayne.

This video shows our work on the film "The Tuxedo". Matthew Mungle, John Jackson and Clinton Wayne were the prosthetic make-up artists on the film.

This video features Clinton Wayne's work as a prosthetic make-up artist on the film "Hollywood Hong Kong". Clinton flew to Hong Kong to work on this film. The film makers approached us to complete this effect as their first attempts weren't believable. The actor in the film was to have his arm chopped off and replaced with another persons hand. The problem was it was another left hand. So the effect needed was to give the actor two left hands. The effect was done a variety of ways. Using another persons hand in frame and fake arms were used as well.

This video features our work on the film Disaster Movie. Richard Redlefsen and Clinton Wayne were the make-up effects artist on this film.

This video features our work on the film "Midnight Meat Train". We made a bunch of silicone fake bodies that needed to be fully nude. We also did the creatures for the film. They were foam latex appliances glued onto the actors and then painted. The background creatures were foam latex suits that slipped on and off easily. Matthew Mungle, Clinton Wayne, Ruth Haney, Margie Kaklamanos, Gabe De Cunto, Ed French and Joe Podner were the fx make-up artists on this film.